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The state of affairs is different when the uncanny proceeds from repressed
infantile complexes, from the castration complex, womb-phantasies, etc.; but
experiences which arouse this kind of uncanny feeling are not of very frequent
occurrence in real life. The uncanny which proceeds from actual experience
belongs for the most part to the first group. Nevertheless the distinction between
the two is theoretically very important. Where the uncanny comes from infantile
complexes the question of material reality does not arise; its place is taken by
psychical reality. What is involved is an actual repression of some content of
thought and a return of this repressed content, not a cessation of belief in the reality of such a content. We might say that in the one case what had been repressed
is a particular ideational content, and in the other the belief in its
(material) reality. But this last phrase no doubt extends the term ‘repression’ beyond
its legitimate meaning. It would be more correct to take into account a
psychological distinction which can be detected here, and to say that the animistic
beliefs of civilized people are in a state of having been (to a greater or lesser
extent) surmounted. Our conclusion could then be stated thus: an uncanny experience occurs
either when infantile complexes which have been repressed are once more revived by
some impression, or when primitive beliefs which have been surmounted seem once
more to be confirmed. Finally, we must not let our predilection for smooth
solutions and lucid exposition blind us to the fact that these two classes of
uncanny experience are not always sharply distinguishable. When we consider that
primitive beliefs are most intimately connected with infantile complexes, and are,
in fact, based on them, we shall not be greatly astonished to find that the
distinction is often a hazy one.
The uncanny as it is depicted in literature, in stories and imaginative productions, merits in truth a separate
discussion. Above all, it is a much more fertile province than the uncanny in real life,
for it contains the whole of the latter and something more besides, something
that cannot be found in real life. The contrast between what has been repressed
and what has been surmounted cannot be transposed on to the uncanny in fiction
without profound modification; for the realm of phantasy depends for its
effect on the fact that its content is not submitted to reality-testing. The
somewhat paradoxical result is that in the first place a great deal that is not uncanny in fiction would be so if
it happened in real life; and in the second place, that there are many more
means of creating uncanny effects in fiction than there are in real life.